Journal Articles (English)

• Unfinished Go Game: Mediatized Memory and the Transnational Travels of Hikaru no Go in China, Mechademia: Second Arc, Vol. 16.2: 163–178.

• Animation of Experiment: The Science Education Film and Useful Animation in China, Animation: An Interdisciplinary Journal, 2023, Vol. 18(2): 152–166. 

• Cartooning collaboration: cultural production and the image of rural North China under Japanese occupation, Cultural and Social History, DOI: 10.1080/14780038.2023.2215073.  

• 🔗Visualizing Folk Love Songs: De/politicization of Sinicized Cartoons in North China under Japanese Occupation, Twentieth-century China 48, no. 1, January 2023：pp. 70–85. 

 

Journal Articles (Chinese)

• 作为山水的情感媒介——丰子恺抗战时期风景漫画中的反战与乡愁 [Landscape as Affective Medium: Pacificism and Nostalgia in Feng Zikai’s Wartime Landscape Cartoons], 《艺术评论》[Art criticism] no. (2023): p. 129–141.

• 🔗动画与科学：知识生产的视觉建构 [Animation and science: visualization of the production of knowledge], 《当代动画》[Contemporary animation] no. 4(2022): pp. 76-82.

• 🔗作为艺术理论的原生质性：泛灵论、历史唯物主义与艺术中的劳动 [Plasmaticness as art theory: animism, historical materialism, and the labor of art],《北京电影学院学报》[Journal of Beijing Film Academy] no. 10(2021): pp. 31-37. [CSSCI; PKU; AMI]

• 物的革命潜能与自反：维尔托夫、爱森斯坦与苏联先锋派的动画观 [Revolutionary potency and peflexivity of object: Vertov, Eisenstein, and animation theories of Soviet avant-garde (in Chinese], 电影艺术 [Film art] no.4(2021): pp. 118-124. [CSSCI; PKU; AMI]

• 🔗不止“二徐论战”——1929年全国美展视野下的艺术批评与新旧争鸣 [Beyond the debate between Xu Beihong and Xu Zhimo: art criticism, clash of the new and the old, and the National Art Exhibition, 1929], 艺术评论 [Art criticism] no.12 (2020): pp. 24-39. [AMI]**《人大复印报刊资料：造型艺术》全文转载 [Selected by Plastic Art, Reprinted Journal Materials of Renmin University] no. 3, 2021. 

• 物视角与动画电影的客观性 [Perspective of Thing and the Objectivity of Animation], 电影评介[Movie review] no. 22 (2020): pp. 86-90. [PKU; AMI]

• 🔗待識別族群的呈現、複製與自我規訓 ——影像與文化檔案中的「莽人」[Presentation, reproduction and self-discipline of an ethnic group to be identified: Mangs in images and cultural archives], 文化研究季刊 [Cultural studies quarterly] no.167 (2019): pp. 23-44. 

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Book Chapters

• “Mickey Mouse’s Trip to Republican China: Pictorial Culture and Transnational Media-Mix” in A Century of Magic: Examining the Disney Cultural Legacy eds. Robyn Muir, Rebecca Rowe, Hannah Helm, and Emily Aguiló-Pérez. Lexington Books, 2024.

• “Cartoon Visuality: The Wan Brothers’ Manhua and Early Chinese Animation” in Encyclopedia of Animation Studies Volume 1: Histories and Geographies (Bloomsbury reference) eds. Malcolm Cook, Natália Pinazza, Stefanie Van de Peer, and Daisy Yan Du. Bloomsbury, 2024. 

 

Short Essays and Reviews

• 🔗“Acting Like the Animator: Broadcaster, Weather Report, and the Useful Animation on Chinese TV,” animationstudies 2.0, Feb. 14, 2022

• 🔗“Bell Boy: Cartoonists and Animated Filmmaking in Southern China, 1940–1949,” Association for Chinese Animation Studies, Nov. 2, 2021

• 觀看、世界、運動：讓-呂克．南希論電影 [Viewing, world, and movement: Jean-Luc Nancy on Cinema], 字花 (Zihua), no. 94 (Nov.-Dec., 2021). 

• 🔗“A Literature Review on Manhua Studies,” Association for Chinese Animation Studies, Jan. 29, 2021

 

Translations

• 弗朗西斯科·卡塞蒂, “后电影时代电影实存”, 《闪速前进——后电影理论文选》(上海文艺出版社2023年版) (Chinese translation of Francesco Casetti, “Chapter 8: The Persistence of Cinema in a Post-Cinematic Age” in Francesco Casetti, The Lumière Galaxy: Seven Key Words for the Cinema to Come, New York: Columbia University Press, 2015) 

• 威利·明岑貝格 文, 庄沐杨 译: 征服电影！ 关于是否使用无产阶级电影宣传的提议 北京电影学院学报2017年04期, pp. 117-118 (Journal of Beijing Film Academy, No.04, 2017) (Willi Münzenberg: “Capture the Film! Hints on the Use of, Out of the Use of, Proletarian Film Propaganda”. Originally published in the Daily Worker, 23 July 1925).